stephan e perez

artist
event flyer. Shows the hin bus depot residency house view from the street. The image is tinted blue and indistinct, white, bubbly shapes are blended with it.
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event flyer with a painting of tree branches, jenga blocks and the brow of stephan e perez
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event flyer for 'on the jalan' that looks like it was made in mspaint. rectangular, cropped photos of stephan e perez and pinka oktafia are slapped on top of a cartoon graphic of a man and a woman on a moped. Speech bubbles have stephan asking pinka in Indonesian to teach him how to ride a moped. She replies 'ok'.
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the hands of the artist, stephan e perez, can be seen manning a spaceship console in the dark. The screen of the console shows some analytical data.
the search (2025)
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the faces of the artists, stephan e perez & junos jungle, alpha-blended with the ACLED conflict map and footage from the trees and buildings outside the venue.
war everywhere (2025)
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the artists, juno's jungle and stephan e perez, sit on the blankets of the play area. stephan slowly brings the plain white mannequin closer to the red spider mannequin
love dice mannequins (2025)
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one of the artists, miaki, sits crosslegged playing the Cantini, a black MIDI violin, with a bow. Four audience members look on behind her.
compression classroom (2025)
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The words 'and Ganesha!' in Thai, float across the viewport as we fly through blue-tinted space, motion lines zipping past us. Images of Ganesha float ever closer. Some of them bear a resemblance to one of the organizers of the Love, Peace and Harmony festival
show me the world (2024)
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the completed wood-block cabin, sitting peacefully on the dirt with cigar chimney and candle fires
life in the woods (2024)
The overall theme and approach of my work is to use the medium of performance as well as technology to place a magnifying glass on life. The material is often related to memory & nostalgia, or everyday activities. My work should serve to, in the Cageian sense, blur the line between art and life.